Born in Sweden in 1907, Bruno Mathsson was introduced to the possibilities of innovative wood technologies at a young age due to his father Karl, a fourth-generation master cabinetmaker. Despite being self-taught, Mathsson delved into the realms of design and architecture, drawing inspiration from the functionalist movement. Expanding upon his family’s craft, he dedicated much of the 1920s and 1930s to exploring the functional potential of wood.
Mathsson’s furniture designs were characterized by their experimentation with curves and height, prioritizing ergonomics and functionality. His breakthrough came in 1937 when he showcased a collection of bentwood furniture, including the iconic Eva Chair, at the World Exposition in Paris. This propelled him to international recognition and established his reputation in the industry.
During the 1950s, Mathsson shifted his focus towards architecture, often incorporating large glass elements into his residential projects. However, in the 1960s, he redirected his attention back to furniture design and began working with tubular steel. One notable collaboration took place with Danish mathematician Piet Hein, resulting in the creation of the Super Ellipse Table. This distinctive table featured span legs that gave the illusion of the tabletop floating in space.
Mathsson’s innovative approach to design and his contributions to both furniture and architecture solidified his lasting impact on the industry. His works continue to inspire and captivate enthusiasts around the world.